Still Bloom
The Princess and the Poet
Threshold
We recognise alteration—
a difference in timing,
a gesture requiring more care,
the quiet awareness
that closeness is being held
more deliberately.
Nothing announces itself.
Yet attention deepens—
sharpened, unspoken,
a weight I carry
even before I name it.
We remain beside one another
with greater precision,
as though time itself
has become the element
we move within—
thinner, colder,
holding less than it once did.
Your hand rests on my wrist— pale skin, soft unchanged, yet I feel the contact before the movement completes, as though the moment has prepared itself ahead of time— waiting, as if it knows it will not come again. I notice the metal of your rings no longer sits tight. There is space now between the gold and the bone— a slight give that was not there before, a gap nothing is able to fill. And here is the thing I will learn to name too late: When I almost speak, my throat closes of its own accord. When I almost reach, my arm grows heavy as stone. The choice not to ask, not to press, not to break the quiet— it is not a decision I make with my mind alone. It settles in the space between my ribs, a physical chill that holds me still, as if my own body has agreed to let you go before I even understand what is being agreed to. We sit, and the space between our shoulders disappears— not by closing, but because nothing remains there to hold apart— as if the distance has already been folded into something final. You lift the cup. Your fingers gather with their usual ease, the motion complete, yet held a fraction longer at its height— as if you are memorising the shape of the action, or testing what strength remains. When you laugh toward the sky, I watch the small passage: breath rising, the neck following just after— the order preserved, yet gently retimed, like a song slowing to its last few notes. Nothing altered in form. Everything recognisable. Yet the rhythm in which things arrive begins, softly, to slow— and I let it. When you speak, your voice settles closer to where it begins, remaining as though the air itself has chosen to hold it— to keep it safe, to keep it from fading too fast. I do not question it. I notice instead how often your gaze pauses just beyond the room, attending to something kept quietly within reach— something I could have asked to see, something I chose not to. © 2026 L. O. Campbell All rights reserved. ✧The Princess and the Poet continues…
End Note
Love here is the decision
not to reach for what is held back —
a choice I will turn over
a thousand times in the dark,
feeling still the weight
of my own arm that would not move,
the chill in my throat that would not speak.
It is the recognition
that some things must be carried
in privacy —
even when that privacy
becomes the space
between what was
and what could have been.
We honour the inward turn
by allowing it to be —
and I will carry that allowance
like a stone in my chest,
heavy and unshakable,
for the rest of my days.



It's very interesting to me how, in these poems, you examine what passes for communication, physical and not, and how, when thwarted, curiosity and desire to say and know more about the other open rifts that change relationship's dynamic, leave a questioning the other might not even have been aware of. The question (for me) is, is it love that makes the decision to stay quiet or the fear of knowing something one would in fact not want to know. Both change the dynamic, though in different ways, each creating a consequence.
Everything is perfect: the minimalism, the ternary structure, the first and the last parts in italics like whispers. Every word counts, and at once sacred and lightly, like the most important words ever said. The Princess and the Poet is a really good fairy series of poems!